Out today on Palms Out Sounds is Trash Menagerie favorite Dubbel Dutch’s first official EP “Trollsta.” Featuring remixes from Egyptrixx, Round Table Knights, and MHM 1, you can expect to hear some bubbly bass innovation worthy of some special attention. It’s always a great pleasure (and relief) to be writing about important U.S.-based producers, Dubbel Dutch being one of the most exciting ones. His calculated attention to detail affords his tunes space from the formula of wobble-bass bangers, and makes them a dynamic piece to any dynamic set. Be on the look out for Dubbel Dutch in NYC in November, as he supports two of my other favorite U.S. producers, Kingdom and Math Head.
Below you will find the Round Table Knights remix, straight off the EP, as well as two treats sent over to me personally, by the man himself! The Kid Conga remix is wonderfully understated. Buy the EP on Beatport and JunoDownload, TODAY.
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Summer is coming to and end, its been a good one, kept me busy, got to do some traveling, made my way across the country and back a few times, ran into old friends, made some new ones, found myself at more day events and festivals than clubs, which was really great. Soon enough its going to be cold here in New York, and ill be taking shelter in a club and paying $8 for cocktails. Since i’ve been slacking in the post department, i’m going to try and make up for lost time with a “summery” of my 2008.
Santogold @ sound check for Radio 1 – Annie Mac show, WMC March 2008
Saw Santogold perform a few times, although unfortunately, I missed her dates with Coldplay. I did however see her just about everywhere else I went, on the side of buses, in the subway, in magazines, TV, on the wall of Terminal 5 when I went to see Brian Jonestown Massacre (Joel performed, it was great, nobody got in a fight, bummer.) Anyway, you get the idea, Santi is everywhere, repping in style for Converse Connectivity. I have to say, the campaign is pretty tight, they did good, no one is trying to shove blatant adverts your way, the micro site is crafty, there’s a lot going on, you can even design your own kicks, and sonically, the artists on board, I genuinely like and listen to. Someone in the marketing department did their homework.
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Brian Jonestown Massacre, Terminal 5, New York July 25 08
Crowd gathering for Radiohead – Lollapalooza Chicago, Aug 1 08
Lollapalooza in Chicago was definitely one of the highlight’s of my summer, I traveled from NY with Spank Rock and crew – Amanda Blank, Devlin & Darko, and Natalie. Their schedule was as full as it could for the weekend, press, after parties, and of course, their Saturday performance on the Citi Stage. Everyone rolled in Friday night, and headed over to the festival site for Radiohead.
I ran into the Foals, which was a super unexpected and pleasant surprise. I grabbed a piece of lawn and had a few drinks with Yannis and Jack, caught up, talked about the past year, how things have changed since we had last had seen each other in New York, when they were recording their album. They’ve got the typical touring band schedule, traveling constantly, playing tons of great festivals, waking up and not knowing where they are. Yannis and I tried to recall what it was that we were debating a few months back in regard to minimal techno (we are both fans – Minitek!!! ), never did figure it out. Soon more Foals came to graze, a grass fight ensued, and it was truly an “Electric Bloom” moment when they started shoving chunks of earth down each others shirts, it was my “Warning Call” to make an exit, so I galloped away to wait in the mile long line for a Vodka and Vitamin water.
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While I was waiting in line, Radiohead took to the stage, all day everyone I ran into was gushing in anticipation of their performance, I was no different. It had been almost 2 years to the day that I had seen them last, also in Chicago, but in a theater setting, this time, it was outside to a sold out crowd of well over 70k, I love festivals. When Radiohead went on, the masses were well into it as expected, I had a side view, so I wasn’t able to see much of the production, that being the massive LCD’s and light show, or even much of the band for that matter, but hearing was good enough. What I was able to see was the woman at the front of the stage signing Radiohead’s lyrics, dancing, and clearly having the time of her life. (Note to self – learn sign language, what a great gig to have.) During their performance I was filled in on the fact that Thom Yorke is in fact a big fan of Spank Rock, and listed the album, Yo, Yo, Yo, Yo, Yo, as one of his top 10 albums of 2007, my eyes bugged out of my head a bit. Really?
Spank Rock is also a big fan of Radiohead and Thom Yorke. For a slight second I wondered if there was anyway for the two of them to meet, considering they had this mutual artist respect thing going on. But I also realized it was probably next to impossible, i’m sure everyone and their mother was probably trying to have a chat with the band that night, plus, it was a massive show. I put to rest the idea trying to make the introduction, got back to reality. The band did a few encore’s everyone was blissed out, it was a very memorable evening. We took off right as they were doing their last song to avoid getting caught up in the mass exodus. 70k people all leaving at once is a bit much. After parties were popping off all over the city, Foals were DJ’ing, Bloc Party, Does It Offend You, Yeah?, all kinds of madness, but I was exhausted, and Saturday was going to be crazy so I called it a night.
Saturday, well, I ended up not hitting after parties, but went to a local bar and tied one on with some old friends. We made a late night run to Rockstar Dog’s, ordered a couple of “Los Lobos”, and “tots” and yeah, we felt like what we ingested. When we woke up the next day we asked ourselves what the hell were we thinking? Oh! We were not thinking, we were drunk.
No time to be hungover, there was stuff to do, no rest for the wicked. I headed over to the Hard Rock Hotel, to meet up with the Spank Rock crew for Spin & Metromix’s gifting suite. They threw down, excellent grub, fancy juices, energy drinks, spa services, and sweet schwag. This was good, I was starting to feel better. Then it was interview time, Ms. Amanda Blank was losing her voice, and was under Dr.’s orders not make a peep until the Lolla performance later that afternoon. She made a clever name tag and attached it to her shirt letting everyone know, hey, I can’t talk, and worked some sign language of her own. The girl is amazing, she still managed to convey what she wanted to say, and charmed everyone.
Spank Rock & Amanda Blank Interview for Metromix @ Lollapalooza, Aug 2 08
Interviews were over, the crew split up, Spank Rock (Naeem, solo) and I jetted off (actually crawled through major traffic) as he was DJ’ing at the Diesel store. It was his first gig outside of Philly, he’s been dj’ing regularly every Monday night at a party he started called The Jang House, it all goes down at the Barbary. I’ve been told by many this night is hot, and hella fun, so it’s on my “to do” in the very near future list. I’ve never heard Naeem DJ before, he plays an eclectic mix of retro, disco, mash-up’s, heard some Prince, said ‘oh yes, I love this too!”, when he threw on a remix of MGMT’s, “Electric Feel”, we both agreed the video was sexy as hell and wish we could have been in it.
It was nearing Spank Rock’s 5:00pm stage time, we high tailed it outta the Diesel store, jumped in a car, and headed to the Lolla site. The first thing that reached our ears when we got on site, MGMT, of course, go figure. We sighed, got over the fact we were missing their performance, and jumped on a golf cart that delivered us to the Citi Stage. Booka Shade was just wrapping up their set. For me, seeing them provided some solace for the MGMT loss, hey were amazing as always. Spank Rock took to the stage and performed to a charged up crowd, Amanda’s voice was in top form, the crew brought the party, Plastic Little jumped on stage and did a guest spot, everyone was caught up in their energy, the stage and the audience may have well been one.
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The Lolla performance was over, but the day was is not, one more interview with Fuse TV, then back over to the Hard Rock for an after party performance with Mark Ronson and Spank Rock. We were starting to feel like we might be hitting the wall, festivals are fun, but they are hot, and have the ability to suck the energy out of you. Besides being tired, everyone was hungry, we had dinner reservations at the China Grill, which thank god, we didn’t have to go far for, as it was adjacent to the hotel. Dinner was excellent, but now we were really tired, time to rest. We made our way out the door mumbling about various things in our food comas, then everyone got really quiet. After we walked outside the door, we looked at each other, and all at once started talking – “hey that guy looked really familiar?”,”do you know that guy?”, “who was that?”, “was that Thom Yorke?”, “That WAS Thom Yorke.” We snapped out of our comas. Damn, It’s Thom Yorke.
All things considered, Thom being a fan of Spank Rock, and vice versa, we should go over and say hello, right? It was kinda too ironic that we were having dinner in the same place at the same time. But everyone agreed, interrupting him, or anyone for that matter, during dinner, who probably already has a hard time in the “peace & quiet” department, we didn’t want to go there. So we continued on to our rooms where we twiddled our thumbs. It was definitely one of those “what would Jesus do?’ moments.
We discussed the irony at hand. I thought Thom & Naeem should meet, it was kind of a no brainer. And I admit, I had my own selfish reasons, I also really wanted to chat with Thom first hand about music industry politics. I think i’ve easily done 20 + posts about Radiohead and/or Thom. When the band released In Rainbows, it was kind of a big deal.
Everyone I know carefully watched how the band’s, name your own price, self release, limited edition box set concept was going to unfold. For weeks it was the hottest topic of conversation. So the release day came, people got online and placed their order, and continued to watch the concept unfold. In my opinion, it was a beautiful. No, Radiohead didn’t fix everything that was wrong with the industry, and what they did, most bands can’t really afford to do. (I discussed this with LCD Soundsystem’s James Murphy, read it here). They did kick open the door of the major labels, and sent a very strong message. They gave their fans a choice, they made room for both artists and others in the industry, to do even more inspired and creative things, perhaps even take risks they might not have before. They let people know, that yes, you can release music in a non-traditional way and it can work. Not only that, you can do it on your own, they exact way YOU want to do it, real freedom of expression. And isn’t that what everyone wants? Not only in art, but in life.
If you haven’t picked up on it yet, I live for these kinds of moments, i’m all for pushing the envelope, DIY, thinking outside of the box, stick it to “the man”, all those common cliches. I feel i’ve fallen off course at this point, so let me get back to the story and how it all ends.
I lived in Chicago for 16 years, it just so happens that I know the manager of the China Grill, I figure I might as well take advantage of that, so I head back to the restaurant, tell him the story. He tells me that Thom and his friends were almost done with their meal, and adds that they are really pleasant, he offered to ask them if they would be so inclined to meet us. I agreed this would be appropriate, and so it goes, “Thom would love to meet Spank Rock”.
I made my way back up to our floor, and my heart fluttered a bit when I told Naeem, come on, we’re going to go and say hello to Thom, and so we did. I hung back as they spoke about music, production, the writing process, how it can be difficult and unnerving process. As an artist, you second guess yourself, wonder if what your writing is good enough, you feel pressure to create something and your not always sure where you’re going with it, or what it is you want to create. Thom shared that he most certainly felt like that, and felt most everyone does, its part of the process of creating, and if those moments where you question yourself didn’t happen, that would seem to be a bit odd, and that perhaps was when an artist should worry. So as it turns out, Thom’s just like the rest of us, word. We spoke about their performance the day before, I told him I really only got to see the woman signing, he said she was great, stole the show. I got my politics on, we discussed the interview he and David Byrne did with Wired Magazine, on the real value of music.
Thom said it was an interesting interview, rather quiet, not as much talking between the two of them as one might think. Which kind of surprised me, I would assume they would carry on for hours. However, I’ve seen a few live interviews with Byrne, he’s incredibly intelligent, insightful, (I closely follow his industry politics as well), but I could see why a bit of silence between the two, might be the case. There is a particular interview Byrne did that stands out, with Daniel Levitin (author of This Is Your Brain On Music), you can check it out at Seed Mag online. We also discussed the In Rainbows release, Thom was very humble, when I expressed how I felt about the release, he said the release was just a minor start toward rebuilding an ailing music industry, and that there is still a lot of work to be done, particularly when it comes to radio. We had been carrying on for some time now, espressos were to be had, they were off to a show the next day, and exhausted from a day of boating on Lake Michigan, we had our own show, call time was just an hour away, we said our goodbye’s and floated away.
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Spank Rock hit the stage for the Spin & Metromix after party, the room was packed, but the crowd was a bit lethargic, however, when these guys hit the stage, it doesn’t take long to get a room going. Lindsay Lohan and Sam Ronson were in attendance with their posse, so in honor of the occasion, Spank Rock finished the set with Lindsay Lohan’s Revenge. I think the posse was caught off guard, as they exited the room before the song was over. Funny stuff.
Amanda Blank & Natalie – Hard Rock After Party, Aug 2
Naeem – Hard Rock After Party, Aug 2
I also hit a few Rock The Bells shows – saw Tribe Called Quest, Pharcyde, Mos Def, Nas, even a stellar, surprise performance in Denver from Black Star. Nas – Rock The Bells, Columbia, MD July 27 08
Black Star – Rock The Bells, Denver, Co Aug 23
All in all, great summer, and as this post is quickly becoming a novella, I shall end it here, and leave you with this entertaining video of what I can only assume are cheerleaders learning new dance routines at summer camp to “Bump”. The dude the runs out to lead them rocks.
Hailing from not one territory, rather spanning four, Hong Kong, Italy, Canada, and London, the Sunny Day Sets Fire quintet are making our world a bit brighter with their latest full-length “Summer Palace” released 8th July on IAMSOUND. A collective pool of worldly influences, SDSF offer up a smattering of catchy pop riffs, shades of psychedelia and spacey bits, giving them a surreal sound.
Ever since their February remix EP release of “Stranger” (IAMSOUND), featuring CSS, XXXChange from Spank Rock, The Cool Kids and Diplo, we’ve been anticipating the delights “Summer Palace” would bring our way. This is the stuff that you hope to hear upon opening up that special music box or toasting your marshmallows at the bonfire. The latest remix of SDSF comes by way of Triobelisk who ignites “I Dream Along” with wandering synth rhythms. Read on as he clues us in on how it all came to be.
“IAMSOUND was looking for some new folks to make some promo mixes for the SUNNY DAY SETS FIRE upcoming album last year and I ended up on their radar, so the mix is kind of an “early” Triobelisk work as it is a tad more open and focuses on synth rhythms similar to my other material during this time.
I initially approached the track a little bit like a minimalist take on KAVINSKY as I’m a big fan of his 1986 EP so wanted to capture a similar “adventure” feel to the composition on the first half. I strayed rather far from the original song but I wanted to create something completely different with only the background chorus vocal to be the recognizable motif in order to make a “have I heard this before” feeling to club-goers/listeners. If I were to make keywords to the track I would write: adventure, 80s, driving, miami and flash gordon.” – Triobelisk
Stay tuned as Triobelisk is in the studio creating some spacey disco, cinematic-type tracks for your consumption!!
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Many people have been endlessly asking me, “What about the Portishead remix album? What about the Portishead remix album? When is it going to be done?” Well it is finally done and ready for consumption. For those who dont know, The Noise/Floor Crew, started by Lady Foursquare, Angel Alanis (my partner in War Games) and myself, has been in the process of remixing the entirety of Portishead’s “Third” since about a month before it came out.
It began as one critically acclaimed remix of “Machine Gun” that was begging for more drums and snowballed into an all out reinterpretation of Portishead’s minimal masterpiece. Most are by NFC but we enlisted a couple of other producers, namely Flufftronix, 12th Planet, ASiH and A. Black, to round out the album. A few tracks were left in a somewhat recognizable state but most were torn to shreds and reassembled into an almost unrecognizable form. The individual tracks cover a broad range of styles from house to electro to minimal to maximal that all came together to make one hell of an album.
Is it better than the original? Am I allowed to ask that given my involvement? I guess it depends what you’re into, but our take certainly brings it out of the lofty art-rock realm and without dumbing it down. Anyways, I’ll quit talking it up and let you be the judge. As this is not a sanctioned remix album, I’m curious to see what Portishead will say about this since, in the past, they’ve been so staunchly against remixes of their own music. Below is a link to the entire album in a tidy .zip along with a lengthy (tl;dr) description of who Noise/Floor Crew really is. I thought I’d also give it to you track by track as well but I’d recommend listening to it as a whole album. And be sure to go to somewhere besides itunes (damn the man) and buy Portishead’s album as well.
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There’s no denying that the latest MIXES have been keeping our ears extremely happy and have caused some serious dance fever action! Each mix is sure to bring out the inner wild side of you! If you’ve missed any of the recent 6 listed below, do yourself a favor and work your way up from the bottom to the top and have a listen. Before you know it, they’ll be over far too quickly and you’ll be begging for more! With the exception of the smooth, minimal Acid Girls mix, these are the bass heavy sounds of the summer season! Peep the MIXES section to the upper right for more JUNE MIXES and keep checking back for more!!
It wasn’t until recently that I discovered the impressive MIT, out of Deutschland. The Cologne based three piece has been around for three years and recently released their debut album, ‘Coda‘, 17th of March on Half Machine Records.
MIT consists of three bright players (Edi Winarni, vocals, Felix Römer, drums and programming, Tamer Özgönenc, additional drums) producing a wide range of beats. Their music is hard to encapsulate, as it encompasses a noisy post-punk, electro-tinged, minimalistic, futuristic sound that is simply fucking good. So good that it doesn’t matter that you won’t understand what the hell they’re singing about (unless you sprechen zie Deutsch).
The gates of opportunity for the young group appeared not far from their hometown, in the United Kingdom. With the usual progressive attitude, the UK have welcomed MIT with open arms and heightened their visibility, playing more frequently in and around London vs their own city. The guys have toured alongside several groups including the short-lived UK band Test Icicles, Jeans Team out of Berlin and recently wrapped up touring with UK favorites, Hadouken.
MIT’s music commands you to go beyond the lyrics and cross the language barrier. You’ll end up on the other side – right where they want you. Have a listen to more from MIT at their MySpace and pick up their excellent debut LP, ‘Coda‘!
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An older video of their track “deine eltern”, when their music was a bit ‘harder’. Taken from their 2007 7 inch ‘goodbook‘ (Japan only), via Rallye/Klee.
