Coachella | TRASH MENAGERIE

Thursday, August 14, 2008

The Bodega

via ChiefBodega.com

via ChiefBodega.com

In the last 3 months New York City has felt a quiet roar coming from across the Brooklyn Bridge. Off the JMZ to Myrtle Avenue, deep in the heart of Brooklyn’s Bushwick neighborhood, is a bodega. But this bodega doesn’t sell $1 40’s, $0.50 Twinkies, or cheap cigarettes, but it does sell an affordable time of your life. The Bodega is an up and coming project from the Chief Magazine boys Andy Smith and Ed Zipco, and it’s working. A cheap, out-of-the-way venue, in which lots of people somehow find there way to and go bat-shit crazy.

Arriving at The Bodega was for me as much of a whim as any other music-related gem I discover via the internet or word-of-mouth. Luckily the night I decided to attend, it was one something of a treat for The Bodega. Playing out that night was Morsy of Nanachill.com and a bright young B-More/Bootybass talent, as well as Famous Friends (Finger on the Pulse), and Mr. Andersonic with a live MPC-set. From the moment I arrived and felt the first trickle of sweat along my forehead, there was no doubt that this was the best party I’ve been to so far (exception goes to Diplo @ T&B for obvious reasons). More than even the urgent sounds of throbbing Booty Bass, it was the crowd that was staggering.

Certainly Daft Punk at Coachella 2006 was enough to make people lose their shit, not to mention the occasional Studio B performance by M.I.A., or most often at Death By Audio. But that Thursday night (yes, Thurs.) brought one of the more diverse (skull caps and dolphin floatees) and apeshit crowds I’ve ever witnessed. At even the slightest sound of the Baltimore Club clap and shake, kids were applauding and jumping with praise. At one point in the evening, the invisible and visceral ooze of crowd pleasure has reached a peak and out came a large stuffed horse, probably won by a lucky girl at one of the many Coney Island water-gun games. The horse, in a flurry of passion and impulse was thoroughly molested by a twosome of B-Boys in the middle of the dance floor. Between furious humpings and the occasional launch into the air, there was little if anything anybody could do to justify what was going on.

Arriving at Bodega at 1AM and leaving at 4AM felt short-lived. But walking out the door I made sure to ask a Bodega faithful what the deal was. I was then introduced to the General Manager Steve, who being extremely accommodating agreed to meet with me in the coming week. After a casual walk around Union Square and a few riffs on the current musical scene, Steve put me in touch with the founders/owner Andy Smith and Ed Zipco. And after a few $1 PBR’s at Soundfix, I came to understand the stoppage in time that was my Thursday night.

Much like any young party-throwers, Ed and Andy liked to throw big ones. At their old loft space in Bushwick they threw dozens of police-happy ragers. These weren’t just ragers though, they were concerts. With friends in bands and as DJ’s, they became notorious for their themed parties for events like the Super Bowl and Halloween. Unfortunately some of these ended with blacked out girls peeing on neighbor’s A/C machines and providing a golden rain to those unlucky enough to be nearby. As the ease of party throwing quickly gave way to the forces in blue, they took them to bars and music venues.

But like any established venue here in New York, these events came with large cover fees and $12 drinks. Dissatisfied with the traditional annals of party throwing, it was time for a creation of their own. With Chief Magazine as their original baby, Ed and Andy had already built a DIY space. And when they caught wind of a crooked bodega space going up for lease last April, they went for broke.

Rotted, dying and possibly full of dead, the space they decided would be their new project was more of an adventure than a project. Filled to the brim with junk, rotting walls, and surgical equipment(they don’t hypothesis on this one), they invited their friends and family to camp out inside and begin renovation.

Andy On His Lunch Break

Andy On His Lunch Break

Over a month later and 12-hr days every day, they rebuilt walls, hauled innumerable amounts of trash and filth from the belly of the bodega, and stacked more debt than all of it combined. By the first week of June they had their first party, and people showed up. Despite a broken stage their first night and a few construction errors, they had, for all they knew, the biggest financial mistake of their lives sitting on 1089 Broadway in Bushwick, Brooklyn.

Looking at the Myspace page for The Bodega, you’ll notice a series of dates for the month of August. Particularly though, you’ll notice that this week is booked in its entirety. Ed and Andy when I talked to them said they were willing to try anything at this point. That they haven’t had a “bad night.” (Save for a punk set ending in shattered glass and a bloody lead singer). At Santo’s Party House, Andrew WK’s mixed blessing, they require $8000 at the bar in order for outside booking to come play. Ed and Andy offered me a chance to play out before I left, ya know, just for fun. To the Chief boys, The Bodega is our space, and if you or I think we can throw a great party, they think so too.

Ed and Andy told me they didn’t have a grand vision necessarily, but just wanted to continue the success of their projects (Chief Mag, The Bodega, Chief Records) and see their musician friends garner the success they deserve. But if everything truly works out, the Chief boys have something unprecedented on their hands. With the excpetion of Fader’s rising FADERlabel, there is no other triad of business force like what they have begun.

With plans to have arts installations, a liquor license, and a fully operational basement space, The Bodega is most certainly here to stay. Perhaps next in line should be the Chief Rail, transporting the young and the restless from the Island and to the BK. But no matter, The Bodega location is almost like a filter, as only the dedicated and truly restless (passionate) come to witness what they’ve been itching for here in New York for a long time.

Friday night will mark the 2nd “Night of the Jams” since I’ve been here. DJ Tameil of the infamous Unruly Records. Unruly Records, for those who don’t know or are too lazy to click the aforementioned link, is the very first Baltimore Club label, started by Scottie B and Shawn Caesar. Other notable Bodega artists include, Chief Record’s family Ninjasonik, Japanther, Juiceboxxx, The Death Set, Danger, Spitzer, and The So So Glos.

On Friday night, the evening of Night of the Jams, take a moment in your “face-down-ass-up,” to look around the Bodega walls and around the room at those in attendance. Most likely you’ll see Ed and Andy, beers in fist, smiling and laughing at what they created, still in disbelief, but having the time of their lives for the 4th time that week.

From Right to Left: Ed Zipco, Andy Laumann, Dude

From Right to Left: Ed Zipco, Andy Laumann, Dude


Morsy - Tukka Yoots Riddim


Ninjasonik - Tight Pants


Lil Wayne - A Milli (DJ Tameil Remix)

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posted by Sir Kitsch at 11:33 am  

Friday, July 25, 2008

Slick Catchdubs

Nick Catchdubs Mixtape Cover

Nick Catchdubs was nice enough to give us his new mix AND an interview. He is one of my favorite New Yorkers and his label with A-Trak, Fools Gold (maybe you have possibly heard of it?) is killing it right now.

4AM: How and when did you meet A-Trak?

Nick Catchdubs: Roxy used to do Friday night parties on Bowery - I want to say the club was BLVD? Dust La Rock, who would later go on to be the Fool’s Gold graphic designer, did the flyers, it looked like the back of a dollar bill with a Debbie Deb quote about “fog machines and laser rays” on the top. One night, A-Trak and I DJed together, we got booked to do shows in San Francisco and LA soon after, and over the course of hanging out we realized we had a lot in common with music, humor, and haberdashery. From then we just stayed friends, sending mp3s back and forth and talking shit.

4AM: How did you and Trizzy eventually come up with the Fools Gold idea?

NC: He ran the Audio Research label in Montreal for almost a decade with his brother Dave, and realized it had such a strong history as an underground/indie hip-hop label that his new, more electronic-influenced stuff wouldn’t fit. He decided to do a new label and asked me to start it with him. I had already helped out with the launch of Mad Decent (I designed the logo and some of the original Bonde Do Role art, and was brainstorming a lot with Diplo in the early days) and this was an opportunity to get more deeply involved with putting out new, original music. We came up with the name and concept, and then just went from there putting out records.

4AM: Did you have any idea it would take off like it has?

NC: I’d be lying if I said it wasn’t always part of the plan!

4AM: How many hours a day would you say you listen to music?

NC: I’m going THROUGH music constantly - mostly just to check out all the new songs that came out that day, find stuff to play when DJing, or give people a once-over on MySpace. But as far as actually sitting down to fully digest albums and mixes, I only get to do that when I’m traveling or in the car. But I do try to schedule chores around the house around particular radio shows - taking a half hour to do the dishes during DJ Enuff or Mr Cee’s Old School At Noon.

4AM: Best gig ever?

NC: Hmmm - there’s been a bunch of really good ones. “End Times” with Caps N Jones a year or two ago (Switch was randomly there and introduced himself at the end of the night, I was geeked) and the recent Wale “Mixtape About Nothing” release party are two local ones that come to mind right away. Whenever I play with Diplo it’s always fun - just this Sunday we did the Mad Fools party in Central Park and the afterparty at Santos Party House, and over the past year we rocked New Year’s Eve in San Francisco, the New Yorker Festival (old folks get loose!) and a Mad Decent party at Studio B that was the first NYC Blaqstarr show. They were all great.

4AM: Worst gig ever?

NC: Not gonna hurt anyone’s feelings by naming the corporate event in question…

4AM: Most glamourous star studded models and bottles gig ever?

NC: Do “hipster celebrities” count? Lets keep that bag of snakes closed, I’m gonna go with this private Rihanna show at Highline Ballroom that ended up being really fun and unpretentious. I was worried about having to corny it up but I mostly played dancehall.

4AM: Best request ever?

NC: A girl asked for Outkast “Bombs Over Bagdhad” during a set of fast tracks. Yes, of course I can do that!

4AM: Worst request ever?

NC: Bee Gees.

4AM: First record ever bought?

NC: The first records I bought with my own money were Guns N Roses Use Your Illusion 1 and 2, but the first record I ever picked out in a store was the Garbage Pail Kids soundtrack. I couldn’t tell you any songs that were on it, I just loved the Garbage Pail Kids. Who doesn’t?

4AM: Last record you bought?

NC: The Syclops I’ve Got My Eye On You CD. The last mp3 was Lee Jones “Aria” on Beatport.

4AM: First DJ mix that made you say “this is what I want to do” to yourself?

NC: I was collecting records and listening to DJs on the radio all my life, but it wasn’t until the summer I graduated college that I realized it was where I wanted to go with music (which is pretty late in the scheme of things - I had been playing in bands and things like that up to that point). There were a few mixes I heard all around the same time that made the lightbulb go off - Spinbad’s ’80s tapes, Mark Ronson’s promo mix for Digiwaxx for his Here Comes The Fuzz album, and most blatantly, Hollertronix’s Never Scared. They were each presenting music that I liked in new combinations - I figured it would be fun to do that on my own.

4AM: Describe the perfect weekend

NC: Friday night getting real paid, Saturday night going to someone else’s party as a private citizen (but still drinking for free), Sunday walking around (no rain), catching a movie and a good meal.

4AM: Favorite place in NYC to DJ?

NC: My apartment. Sorry, city, but you are going through a “transitional period” right now.

4AM: Favorite DJs/producers right now that are not on Fools Gold?

NC: DJ Eli (though he did do a remix for us), Laidback Luke (ditto), Claude Von Stroke, Fake Blood, Hercules and Love Affair (though I guess it’s really just Andy Butler and Tim Goldsworthy), DJ Sneak, The Dream, Sean C and LV… I could name people for days.

4AM: What song have you played out so bad that you never want to hear it again?

NC: There’s always a time and place for Calabria horns. ALWAYS.

4AM: Best live show you have ever seen?

NC: Portishead sounded amazing at Coachella but the show had no atmosphere. For me, the best shows are always the ones where the artists defy nature and technical difficulties to pull through, that “oh shit!” factor is unbeatable. Feist played at the Fader SXSW tent in 2005 and the wind nearly knocked her over but she just got more and more psyched by it, almost possessed. Peedi Crakk played at the Fader CMJ space two years ago after getting lost in Chinatown, pulling up to the spot minutes before curfew, and still killing it.

4AM: You used to be the editor of Fader correct?

NC: You like that segue right? I was an associate editor there for three years, before leaving to DJ and work on Fool’s Gold full-time last July.

4AM: What was the important thing you learned from working there?

NC: I had no magazine or music industry experience whatsoever when I started - I wasn’t even trying to be a writer, I was just asked to do some stories and interviews, they liked my style, and the job sprouted from there. It was total school for me. I got to travel for the first time in my life and see different artists operate in their home environments. I witnessed records go from creation to label to PR to magazines to stores (and got to learn from other people’s mistakes for free!)

4AM: What should we look out for in the Nick Catchdubs future?

NC: I just finished a mixtape for Timbaland’s new artist Izza Kizza , and an all-Fool’s Gold mix for a 2xCD compilation we’re doing with Scion. I’m really slow on the production side, but I’m working on remixes for El Guincho (out on Mad Decent) and U-God from Wu Tang Clan’s new solo single. I did a remix for MIA’s “Bamboo Banger” that is supposed to (finally) come out as well on XL. I’m working on some original music too, so I can actually put out a record of my own on my label!

4AM: What shoud we look out for in the Fools Gold future?

NC: Tons of records - Kavinsky, Treasure Fingers, Sammy Bananas, Four Color Zack and Pretty Titty, Jokers of The Scene, Nacho Lovers, Trackademicks, Bag Raiders, Congorock, Crookers, LA Riots, Malente, Kid Sister’s full album, that Scion comp, and some surprises of course…

4AM: Favorite Simpsons episode?

NC: Just one? That’s un-possible! I love them all. 22 Short Films about Springfield is my favorite now, but it always changes. Itchy And Scratchy And Poochie is up there too.


Nick Catchdubs - Slick

01. Pase Rock “Get Money Kids”
02. 50 Cent “I Get Money (Catch On 45)”
03. Trap House “Step Into”
04. Bad Yard Club “In De Ghetto (GrandTheft Remix)”
05. Dukeyman “Shine”
06. DJ Sega “Everybody Handz Up”
07. Machines Don’t Care “Juggs”
08. Mr Vegas “Round Of Applause”
09. Moby “I Love To Move In Here (Crookers Bass In Here Mix)”
10. Nacho Lovers “Acid Life”
11. Jamie Anderson and Content “Body Jackin”
12. DJ Big Red “Jakybodi”
13. DJ Will Roc “Replay Again”
14. Loco Dice “Pimp Jackson Is Talking Now!!!”
15. Lil Bo Tweak “K Rizzle”
16. 2 Bad Mice “Hold It Down”
17. Bassbin Twins “Woppa”
18. Loefah “It’s Yours”
19. Big Tuck “Not A Stain On Me”
20. Busta Rhymes “I Got Bass”

NC: I didn’t want to add to the pile of “new music” mixes with interchangeable tracklists - some of this is brand new, some of it isn’t out yet, some of it is “recent vintage” (or old as hell but new to me), but it all has a nice swag to it. Retro? Not retro? Most of my current favorites have similar elements (throwback house/rave samples, fast raps, dancehall vocals, breakbeats, sometimes all in the same song) so I figured, why not put a bunch together for a picture of where my head is at this summer? I hope you enjoy the listen, I had fun connecting the dots.

Pase Rock “Get Money Kids”
50 Cent “I Get Money (Catch On 45)”
“Get Money Kids” is far and away my favorite song of the past few months, it’s like Pase and Eli sat down at the computer and said “Man, the Juice soundtrack really needs more hip-house…” I usually mix it live into some sped-up Serato loops of 50 and Milk Dee to keep the $$$ theme alive.

Trap House “Step Into”
Way too many WUBBA WUBBA WUBBA basslines lately, but this one still manages to stand out - a crowd-pleaser that breaks the formula juuust enough. Thanks, Australia.

Bad Yard Club “In De Ghetto” (GrandTheft Remix)
On the school bus everyone knew chants from club songs like “Beat that bitch with a bat…” and “It’s time for the percolator…” from the older kids, but no one really knew it as “house music.” It wasn’t until a party in 6th or 7th grade when this girl played “Witch Doktor” and “In De Ghetto” on cassingle that I realized a whole separate thing was going on. Sammy Bananas hit me a few weeks ago with this new mix of “In De Ghetto” by DJ GrandTheft of the Eh! Team, it chops up the original without getting too flagrant.

Dukeyman “Shine”
Shyne finally gets out this year. You know he converted to Judaism in prison? L’chaim!

DJ Sega “Everybody Handz Up”
As we continue on with the Bad Boy flips, this track is a MONSTER. I think it is gonna be on the “DJ Sega Saves Hip-Hop” EP that’s coming soon.

Machines Don’t Care “Juggs”
Lots of goodies on the MDC album, but this one is a particular favorite. Best dancehall song on the subject since Vybz Kartel “Breast Specialist”?!?

Mr Vegas “Round Of Applause”
Moby “I Love To Move In Here (Crookers Bass In Here Mix)”
The Vegas song really just a vocal and some handclaps, so it’s a lot of fun to loop other shit up on top, and Crookers made it easy with their open drum intro (PS - excellent remix package on the new Moby single!) I cut the Grandmaster Caz verse with cue points but that’s not because he isn’t awesome - a few years ago Ayres and I hung out with the legend himself at the Heineken “Amsterjam” festival on Randall’s Island, where Caz was MCing the mash-up tent, also starring Diplo, DJ P, Princess Superstar and Matt and Fancy from Fannypack. Viva 2005! I think I bought Fantastic Four “Thing Hands” at Target when we got back to Brooklyn that day.

Nacho Lovers “Acid Life”

Obviously I’m biased, but this is one amazing-ass record. Something old, something new…lots more from Toronto’s premier techno scholars on Fool’s Gold very soon.

Jamie Anderson and Content “Body Jackin”
DJ Big Red “Jakybodi”

I didn’t know about this remake until A-Trak started playing it on the last label tour. It’s been in my rotation ever since, with the DJ Big Red track batting clean-up.

DJ Will Roc “Replay Again”
Dance music took so heavily from Baltimore club over the past few years, and now the veterans are going off in new directions of their own. It’s inspiring to see a label like Unruly reinvent themselves - the recent King Tutt and Chavy Boys EPs and this hypnotic, electronic Will Roc track are some of their best.

Loco Dice “Pimp Jackson Is Talking Now!!!”
I know absolutely nothing about Loco Dice, but this has been a late-night sureshot of mine, it bumps like a less zany Detroit Grand Pubahs. “We in Brooklyn baby, this is how we get down!”

Lil Bo Tweak “K Rizzle”
2 Bad Mice “Hold It Down”

Trevor Loveys and Co’s stuff as Lil Bo Tweak manages to feel incredibly current while referencing jams of yesteryear with all the samples and even the name (Lil Mo Yin Yang, anyone?). Conversely, the 2 Bad Mice came out in 1991 and sounds like it could have been made this morning.

Bassbin Twins “Woppa”
Loefah “It’s Yours”

I wish more dubstep felt like these two instead of zzzzzzzzzz.

Big Tuck “Not A Stain On Me”
Had to drop straight out of the Loefah with this. The beat is just a Beastie Boys loop, but goddamn! Another recent favorite that never really broke in NYC. Dallas rappers’ haircuts are too crazy for us.

Busta Rhymes “I Got Bass”
This isn’t a half-assed “A Millie” - Bangladesh is doing some neat shit with the Chuck D sample chorus and oddly-timed edits, and Busta’s flow is off the wall. “This shit be soundin like a thousand mosquitos buzzin/ Like hmm hmm hmm, hmm hmm, hmm hmm…”

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posted by 4am Jess at 11:27 am  

Friday, May 30, 2008

MGMT Bring the Party with Electric Feel

MGMT hit us up with their newest video for “Electric Feel“, day glow Lord of the Rings party action going on in this one, mixed in with the bands chillaxed, smooth and sexy sounds. At this year’s Coachella, it was a hot blistering day in the desert, but it didn’t stop their fans. Their tent was over capacity, no one could move. People were struggling to get as close as they could, and boxing out for space on the grass. I was in the tent at one point, but getting crushed to death, no one wanted to move to let me out, afraid they might lose their prime vantage point to see the band. I ventured outside the tent, trying to find a spot that left me with a little wiggle room, and that too, proved to be a difficult task. I spotted others in my predicament, members of the Institubes crew, Pedro and his fellow Ed Bangers, Danny Masterson aka Mom Jeans Hyde from “That 70’s Show”. MGMT delivered an amazing performance, and I earned a bright red burn, braving the sun, it was great.

myspace.com/mgmt

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posted by Audio Pimpstress at 1:51 pm  

Monday, May 26, 2008

Vice - Tales of Colt 45 Tour feat. Drop The Lime

DROP THE LIME - VICE TOUR

COLT 45 & VICE PRESENT: “The Tales of Colt 45 Tour” featuring / DROP THE LIME

VICELAND TALES OF COLT 45

Monday June 2 – Los Angeles @ King King
Wednesday June 4 – Atlanta @ Drunken Unicorn
Thursday June 5 – Chicago @ The Hideout
Friday June 6 – Philadelphia @ The Barbary
Saturday June 7 – New York @ Glasslands

Drop The Lime Coachella
Drop The Lime/Curses! Live @ Coachella 2008 Photo: caesarsebastian.com

Bolt for a Colt, and get ready for NYC Bass Heavy Champion, Luca Venezia aka Drop The Lime aka Curses! to hit a US city near you. And catch him while you can, as he’ll be dashing off across the pond for a summer filled with dance floor madness, that includes the UK Festival circuit. With remixes dropping on Mad Decent, Greco Roman, Savant Guard, and collaborations with the likes of Herve, Sinden, Switch, Trevor Loveys & Fake Blood as the collective “Machines Don’t Care”, we’re delighted to nab a track to share with you from Luca’s upcoming “Like Thunder EP”, dropping July 4th on his very own “Trouble & Bass” imprint.


Drop The Lime - I Love NY - Trouble & Bass

WWW.DROPTHELIME.COM
WWW.TROUBLEANDBASS.COM

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posted by Audio Pimpstress at 9:57 pm  

Friday, May 9, 2008

MGMT at Coachella

This video is extremely low quality, as it was taken off a mobile phone. Although I wasn’t at Coachella this year, it looks to have been a fantastic time. Brooklyn’s MGMT seem to sum it up with this lovely sing-along. Very much a plur moment right there. HA Catch them on tour now in the U.K. and other EU cities, then at Lollapalooza!

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posted by Lovestar at 3:38 am  

Thursday, April 10, 2008

Drop The Lime - Raising the Bar

Drop The Lime


Drop The Lime/Curses! Remix Mega Mix 2008

00:00 Moby “Alice” - Drop The Lime Heavy-Bass Remix - Mute
02:00 DJ Blaqstarr feat. Rye Rye “Shake It To The Ground” - Drop The Lime Remix - Maddecent
04:06 Fagget Fairies “Uzela” - Drop The Lime Remix - Palms Out Sounds
05:37 Robyn “Who’s That Girl” - Drop The Lime is that Girl Remix - Island/Interscope
07:26 South Rakkas Crew “Mad Again” - Drop The Lime Remix - Maddecent
08:30 C.L.A.W.S “C.L.A.W.S. Theme” - Curses! Remix - Tigerbass
10:24 Treasure Fingers - Cross The Dance Floor (Curses! Remix) - Fool’s Gold
12:18 Midnight Juggernauts “Road To Recovery” Curses! Remix - Institubes
16:02 Health “Perfect Skin” - Curses! Remix - Suicide Squeeze
18:25 Juiceboxx & Dre Skull “Center Stage” Curses! Remix - Vicious Pop

Click here, tune in - Drop The Lime Bass for Golden Pudels DJ Mix

Drop The Lime @ SXSW - Mad Decent & I Heartcomix Party

Set the standard, then raise the bar.
Or in New York City’s Luca Venezia’s case – totally destroy that bar on a global scale. The 25-year-old known as Drop The Lime (and Curses!) is the iconoclastic club fiend of the 21st Century. Producer, remixer and DJ, he started out at 17 and has since dropped approx 150 underground classics, each year breaking boundaries of the musical zeitgeist – relentlessly developing concepts and sounds that leaves his many imitators wiping away tears with a white flag. Lauded by critics - XLR8R, Dazed & Confused, premier blogs - Discobelle, Trash Menagerie, Fluo Kids peers (UK production God Switch named Luca in his top artists of 2007) and the world’s cutting edge record labels - releases on Mad Decent, Counterfeet, Shockout, Ambush, Institubesm Fools Gold, Interscope, and Mute, he is the undisputed, celebrated NYC Bass Heavy Champion.

Drop The Lime’s acclaimed solo albums - 2005’s “This Means Forever” and 2007’s “We Never Sleep” on Tigerbeat6 saw him murdering bass and bytes - an evolved style, re-appropriating breakcore, bassline house, rave, jungle and dubstep, unforgettably touched with Luca’s own original vocals. Recent remixes for Moby, Robyn, Blaqstarr, Health Disco, Midnight Juggernauts and Infants have fueled the blaze. HEAT. Lest we forget Trouble & Bass. The movement-defining party, DJ crew and record label established by Luca in September 2006. In two years T&B has smashed the NYC club scene apart with such deafening impact, the rest of the world found the blasphemous bass impossible to ignore. From Brooklyn warehouses to Manhattan clubs, touring his party through London and Paris - with a summer spot at this year’s Coachella. It’s time to get hysterical”.

– by Terence Teh

Drop The Lime
Curses!

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posted by Audio Pimpstress at 6:25 pm  

Sunday, March 9, 2008

Portishead - Third - Advance Listen

I think Third, is Portishead’s best album. I can’t even put into words how incredible it is, well worth waiting the 11 years since their last release. Take a listen to “We Carry On” and “Machine Gun”, next level for sure. Coachella is going to be amazing.

01 “Silence” - 4:59
02 “Hunter” - 3:57
03 “Nylon Smile” - 3:16
04 “The Rip” - 4:30
05 “Plastic” - 3:27
06 “We Carry On” - 6:27
07 “Deep Water” - 1:30
08 “Machine Gun” - 4:43
09 “Small” - 6:45
10 “Magic Doors” - 3:32
11 “Threads” - 5:47

Portishead - We Carry On - Third

Portishead - Machine Gun - Third

Portishead - Third
Release Date: 2008.04.28 - Island
Link: Myspace Web Site Wiki

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Trip Hop Pioneer’s, Portishead, Announce the Release of their New Album - Third

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posted by Audio Pimpstress at 7:47 pm  

Sunday, February 17, 2008

January Trash Talk

We’re a bit behind - we’ve been busy little bees! But better late than never, here is what Trash we were talking about during the month of January.

Local Hero, Audio Pimpstress, Lovestar, Amy Riley, Kimberleys Mobile Disco, and Waxy Jax

1/30/08
The Bloody Beetroots NLLR Mix!!
//Lovestar

1/30/08
LMTD of Tix for Bootay Shakin Blowout! – NYC
//Audio Pimpstress

1/30/07
Surname: February Winter Warmer
//Amy Riley

1/29/08
Panther New Album & Spring Tour
//Audio Pimpstress

1/29/08
HEARTSREVOLUTION - C.Y.O.A Release!
//Lovestar

1/29/08
David Lee Roth is Runnin From The Devil
//Audio Pimpstress

1/29/08
Buffet Libre Remixes - Music Tastes Better with You Tour
//Audio Pimpstress

1/28/08
Congorock meets The Mixtape Project
//Lovestar

1/27/08
Spitzer is Blowing Up!
//Local Hero

1/25/08
In The Name of Love Motel
//Lovestar

1/24/08
Time Out Chicago on the Blogosphere - A Matter of Opinion
//Audio Pimpstress

1/23/08
Red Foxx Interviews Kid Sister
//Local Hero

1/23/08
Heath Ledger Estate Will Not be Releasing Drake Video
//Audio Pimpstress

1/22/08
It’s All About MeMeMe!
//KimberleysMobileDisco

1/22/08
At the Speed of Raffertie
//Local Hero

1/21/08
Ghostland Observatory - New Album & Tour Dates
//Audio Pimpstress

1/19/08
Radiohead/Portishead Confirmed for Coachella East/West Festival
//Audio Pimpstress

1/18/08
Gonzales Puts the “I” Back in “Team”
//Waxyjax

1/17/08
Dandi Wind – Sacrificial
//Lovestar

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posted by Audio Pimpstress at 10:34 am  

Saturday, February 16, 2008

Trip Hop Pioneer’s, Portishead, Announce the Release of their New Album - Third

Portishead

Portishead - Geoff, Adrian, and Beth

Massive Attack and Portishead came to me via Chicago DJ’s G-Most and Mark Farina. Mark had a wicked mixtape series - Mushroom Jazz. I couldn’t get my hands on those tapes fast enough, and I was quick to (trip ; ) hop to Gramophone Records to snatch up the the tapes as fast as Mark could mix then, and albums from the artists contained on those tapes. Thinking back to that time, Massive Attack was the first live show I ever saw at the legendary Chicago venue - The Metro, and yes, it was amazing.

Bristol, UK between the years of 1990 - 97, became the birthplace of trip hop, a spacey, abstract, experimental form of hip hop. Massive Attack (Tricky) and Portishead, spearheaded the movement, and both groups were spawned from the same collective of artists. Massive Attacks’ debut landmark album, “Blue Lines” (1991) was produced by Nellee Hooper, Tricky, rapper 3D, and Portishead’s Geoff Barrow.

Portishead logo

Portishead, ( Geoff Barrow, Beth Gibbons and Adrian Utley ) officially formed in 1991, and in 1994, their debut LP “Dummy” was released. The album lead to great critical acclaim, (despite the band having an aversion to press attention) and that year, they took home the UK’s highly prestigious Mercury Prize.

The single “Glory Box” from “Dummy” was a big stand out tune for me, others as well, and it’s definitely remained timeless, I get the same feeling listening to is now, as I did when it was first released.


Glory Box - Portishead

I’ve never seen Portishead perform live, so when I found out that they were booked to play on the main stage at this years Coachella (Saturday April 26, 2008), I was ecstatic. I immediately started to paint a picture in my head of how incredible it was going to be hearing Beth’s amazing voice on top of layers and layers of impeccably produced, spacey, experimental, trip hop beats and loops - while chillin’ under the stars, in the middle of the desert.

It’s been awhile since we’ve heard anything from Portishead, so when you find out they are booked to play the main stage at a festival like Coachella, you can’t help but think something must be up, and yes, its true. This week, they announced the release of ‘Third’ their hugely anticipated new album, which will be released on Mercury/Island on April 29th, 2008. This announcement undoubtedly adds to my excitement. New music from Portishead will be heard by thousands under the heavens this April, these are the moments in life to look forward to.

Over the years, the group has worked on various other projects, remixes for artists such as Depeche Mode, and a fantastic cover of the legendary Serge Gainsbourg, great collaborations, I highly suggest giving them a listen.

Music Slut: Depeche Mode - Back in your Room - Portishead Remix

Portishead cover of Serge Gainsbourg- “Un Jour Comme un Autre (Requiem for Anna)” on the tribute album Monsieur Gainsbourg Revisited.

www.portishead.co.uk
www.myspace.com/portisheadalbum3

Its is a little known fact, that Geoff, is a fan, as well as promoter, and festival organizer of Doom Metal. Who would have thought?

Tricky is in the studio producing a new album, don’t know much about it, but i’ve been told he’s been working with Dave Taylor aka Switch. When this baby gets dropped, i’ll probably be at a loss for words, I have trouble containing my excitement just thinking about it.

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posted by Audio Pimpstress at 7:12 pm  

Saturday, January 19, 2008

Radiohead/Portishead Confirmed for Coachella East/West Festival

This news made my day. . .Portishead is confirmed to headline this year’s Coachella Festival on Saturday night, according to a high-level source. The same source unequivocally denied rumors that Radiohead would appear at Coachella, but did confirm that the group would play the East Coast festival being planned by Coachella promoters Goldenvoice/AEG Live . The full Coachella line-up will be announced this Monday.

http://www.urb.com/permalink/2140/Radiohead/
Portishead-for-Coachella-East/West.html

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posted by Audio Pimpstress at 9:27 pm  

Monday, December 24, 2007

Top of 2007 - Bests & Favorites

I’m about to jump on a plane and head to the great Midwest. I only have 20 minutes, so this post won’t be as in depth and link up as I would like it to. Perhaps i’ll revisit in the next few days and do it up proper. Perhaps not : (
I’ll be spending my NYE in Chicago at Smart Bar with Dave Taylor, known to most as Switch. He produced M.I.A.’s latest album “Kala”, which hit many “Top of 2007″ lists this year, including #1 on Rolling Stone. He’s also been doing a bit of production work on Sanogold’s debut album. It’s a bit ironic that Santi was also named Rolling Stone’s #1 artist to watch in 2008. SO! Without further ado, here is my Top of 2007 list (to the best of my recollection).

These things can be difficult, I always feel someone or something is missing . . . ufff!

Favorite Track of 2007
“Hustler” - Simian Mobile Disco
This was more than just a track, it was an anthem!
“Drop The Phone / Down On Yourself” – Shy Child

Albums of 2007
Simian Mobile Disco - Attack, Sustain, Delay, Release
Dandelion Gum – Black Moth Super Rainbow
A Place to Bury Strangers – A Place to Bury Strangers
The Ponys – Turn the Lights Out
The Black Lips - Good Bad, Not Evil
+ - Justice
Joakim - Monsters & Silly Songs
Mystery Jets - Zootime
Broken Social Scene Presents Kevin Drew - Spirit If . . .
Spektrum - Live At The Gymkhana Club
Plastic Little - DJ Lowbudget Presents The Immaturity Mixtape CD
Noisettes – What’s The Time Mr. Wolf

Party Crew of 2007
Trouble & Bass / Cut – Brooklyn, New York

Promoters of 2007
Fixed - NYC
I Love Neon – Montreal
Ricardo Tejada - Mexico

Favorite Weekday Party of 2007
Tuesday’s at 205 w/ Jacques Renault & Justin Miller

Best Parties of 2007
Daft Punk after parties – Ed Banger, Throne of Blood, Mas
- Mighty, San Francisco
- Green Dolphin, Chicago
- Studio B, Brooklyn - New York
Justice after party with Erol Alkan - Fixed
Masters of the Universe – Trouble & Bass / Cut DJ’s + Diplo, Surkin @ Studio B

Best Performances of 2007
The Reactable (sorry this was the highlight of her set) w/Bjork – Friday @ Coachella
Coachella, Saturday in the Mojave tent - !!!, Justice, LCD Soundsystem, & The Rapture
Kings of Leon @ The Aragon, Chicago
Daft Punk & The Rapture @ Greek Theater, Berkley
Daft Punk @ Lollapalooza, Chicago
Daft Punk & The Rapture @ Keyspan, Brooklyn
Rock The Bells – San Francisco
Simian Mobile Disco @ Gramercy Theater
Philip Glass – Einstein at the Beach, Carnegie Hall

Craziest Performance of 2007
Spank Rock, Yo Majesty, Santogold, Amanda Blank, Devlin & Darko, and half of the audience @ The Fillmore, NYC during CMJ. Can’t even explain, you just had to be there . . .

Best DJ Sets of 2007
Laurent Garnier @ APT
Drop The Lime (on more than one occasion)
Diplo (again, on more than one occasion)
Busy P @ Dafter Party, Green Dolphin, Chicago & at Studio B, Brooklyn

Favorite Producers of 2007
James Ford
Mark Ronson
Switch

Favorite Remixers of 2007
The Glimmers
Van She Tech
Erol Alkan
DJ Mehdi

Favorite Bands/Acts of 2007
Home Video
Illinois
Ghostland Observatory
Shy Child
Noisettes
The Warlocks
The Rapture
Plastic Little
Spank Rock
A Place To Bury Strangers

My Favorite New DJ of 2007
Still at #1 of all time - Laurent Garnier
Diplo
Drop The Lime
Star Eyes
Pase Rock

Artist / Designer of 2007
Dan Stiles, US
Face, Face, Face – Mexico
So Me, FR
Dust La Rock, US

Best DJ Mixes of 2007
Go Commando – JDH & Dave P – Defend Music
Fabric 37 – Steve Bug - Fabric
Fabriclive 36 – James Murphy & Pat Mahoney – Fabric

Favorite New City to Party in
Philly, yo!

Favorite Labels of the Year
Transgressive, UK
Ed Banger, FR
Ghostly, US
Modular, AU
Downtown, US

Favorite Books of 2007
This Is Your Brain On Music – Daniel J. Levitin (Audio Version)
The Culture Of Collaboration – Evan Rosen

Favorite Music Subscription Service of 2007
Emusic

Best Music Discovery Sites of 2007
Last.fm
Hype Machine

Forward Thinkers of 2007
David Byrne
Thom Yorke
Jay-Z

Favorite Manager’s of 2007
Pedro “Busy P” Winter - Daft Punk, Justice, Ed Banger Crew
Oli Isaacs – Simian Mobile Disco, Black Ghosts, Findlay Brown

Music & Technology Publications of 2007

Five Eight Magazine – UK
Wired – US

Drinks of 2007
Jack or/ Jameson & Ginger
Vitamin Water – Endurance (the peach-mango kind!)

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posted by Audio Pimpstress at 2:55 pm  

Tuesday, May 29, 2007

In The City New York - June 13 & 14, 2007



Tony Wilson & Yvette Livesey

In The City was founded in 1992 by Yvette Livesey and Factory maverick Anthony H. Wilson, and it has become “the date” in the UK music industry calendar.

By day, Manchester, UK, becomes home to the brightest and best in the business, as industry leaders debate the present and plot the future. And by night Manchester hosts the biggest city-based music festival in Europe, IN THE CITY LIVE, as 3,000 industry delegates and 100,000 music fans take to the streets.

Rightly regarded by the global music community as the premier new music event in the world, IN THE CITY has helped launch the careers of Oasis, Radiohead, Suede, Elastica, Coldplay, The Darkness, Doves, Foo Fighters, Elbow, the Stereophonics, Muse, the Raveonettes, Funeral For A Friend, Daft Punk, Kings Of Convenience, Placebo, Arctic Monkeys, and many more. IN THE CITY UNSIGNED has the highest signing ratio of any new talent event in the world.

LET THE U.S. INVASION BEGIN

In The City of New York, June 13th/14th at The W Hotel off Union Square and the Nokia Theatre, New York City

A two-day event bringing high level music industry debate and the most exciting new bands in the modern world back to that narrow strip of land between the Hudson and the East River.

Curated by Manchester based In The City in conjunction with AEG Live - and with several nods to the great traditions of the New Music Seminar which ruled in the 80s and early 90s - In The City of New York is two days of talking about music, thinking about music and just enjoying music.

Music, music, music: as a certain UK politician may have once said…

By night at the Nokia Theatre ITCofNY will host six of the UK’s hottest new bands.

June 13 - Happy Mondays, The Rakes, The Pigeon Detectives
June 14 - Happy Mondays, Biffy Clyro, Enter Shikari, Blood Red Shoes

During the day industry leaders will gather in the W Hotel on Union Square for a series of panels, seminars and master classes on the current state of the music industry and, more importantly, where it’s heading next.

Like In The City, the daytime side of the event will center on major industry figures/legends in conversation with skilled interviewers – with Fred Davis, Marc Geiger, Tom Silverman, Ted Cohen, Ralph Simon, Paul Tollet of Goldenvoice/Coachella, Napster, Adam Shore of Vice, Matt Safer & Gabe Andruzzi of The Rapture, and the inimitable Bob Lefsetz already confirmed – and again, like In The City it will cover the most cutting-edge topics affecting the industry we call home.

PANELS

DRM: The end is nigh or is it?

Jobs and Niccoli say it’s over; it’s what Ged Doherty said at In The City in Manchester last October. Didn’t go down well. He got in trouble for his honesty and his pains; whose pain will DRM be if it continues?

Hey, man, New York Freeway’s blocked, man: Festivals in the 3rd Millennium

Glastonbury sold out in minutes, Coachella getting full of Brits, who says the music business is in trouble?

The Howl Seminar – “I have seen the best minds of my generation” - Debate the future of this wonderful business

It’s chaos out there for the record companies; they don’t know whether they’re coming or going. Most of them think they’re going. To offer some signposts to the future, ITCofNY invites some of its favourite clever people. Correction, very clever people. You don’t need a weatherman but you do need to listen to these folks.

Bring me your poor and huddled masses – and we’ll make stars of them and ship them back.

From Hendrix to the Killers: why/how do US bands get their first exposure in the UK? Is it that the UK is we’re more open? Is it because your radio is shit? Let’s all hear it for Chas Chandler; how come it took a Geordie bass player to launch the creator of the electric guitar?

The New Music Retailers Panel

Apple showed the way but there’s a bunch of other guys on their tail; when’s Amazon getting in, will anyone give us full on variable pricing, and who wants Paul McCartney with their latte or Malcolm McLaren with their new sofa? (Great album though, sir)

Formats are dead!

Or is that radio is dead? The Top Thirty programming was based around sociological research carried out in the 50s. Are we all still the same? Do we want more or do we just love more of the same thing?

A Brand New Approach to Music

A music industry in crisis still looks attractive to anyone trying to sell anything to young people…make that sell anything to anyone. Here in the UK they’re selling Marks and Spencer’s clothes with Itchycoo Park. “What did you do there? I got high.” Yeah. Maybe we don’t sell music anymore, we sell other people’s products.

The ITC Hypothetical

In The City’s most in-demand ticket as a group of industry insiders are taken through a hypothetical situation, which demands cunning, and in some cases even moral fiber.

AND OF COURSE, THERE IS ALWAYS AN AFTERPARTY

Several are taking place, this one is of particular interest to me, natch.
RSVP for free admission at GBH.TV

I will be attending, this exciting NYC debut of In The City, hoping to sponge as much as possible . . . full report to follow.

While spots are limited, I was told registration is still open, yay! Link up

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posted by Audio Pimpstress at 1:38 am  
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