
Photo Credit: Monroe Gallery, 1991
Wired just ran a fantastic article from former Talking Heads frontman, David Byrne, regarding his thoughts on the present state of the music industry. Last SXSW, he gave a speech, reported by Billboard, (below) that I clipped and archived. I’ve been following his insights and sensibilities since that time, so I was extremely eager to read and share his further thoughts on the current state of things. Wired is also running a great discussion between Byrne and Thom Yorke, delving in even further.
David Byrne and Thom Yorke on the Real Value of Music.
Below is an excerpt from Byrne’s Wired article
Survival Strategies for Emerging Artists and Megastars
What is music?
First, a definition of terms. What is it we’re talking about here? What exactly is being bought and sold? In the past, music was something you heard and experienced — it was as much a social event as a purely musical one. Before recording technology existed, you could not separate music from its social context. Epic songs and ballads, troubadours, courtly entertainments, church music, shamanic chants, pub sing-alongs, ceremonial music, military music, dance music — it was pretty much all tied to specific social functions. It was communal and often utilitarian. You couldn’t take it home, copy it, sell it as a commodity (except as sheet music, but that’s not music), or even hear it again. Music was an experience, intimately married to your life. You could pay to hear music, but after you did, it was over, gone — a memory.
Technology changed all that in the 20th century. Music — or its recorded artifact, at least — became a product, a thing that could be bought, sold, traded, and replayed endlessly in any context. This upended the economics of music, but our human instincts remained intact. I spend plenty of time with buds in my ears listening to recorded music, but I still get out to stand in a crowd with an audience. I sing to myself, and, yes, I play an instrument (not always well).
We’ll always want to use music as part of our social fabric: to congregate at concerts and in bars, even if the sound sucks; to pass music from hand to hand (or via the Internet) as a form of social currency; to build temples where only “our (more…)
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