Dandelion Wind is playing director once again, with a colorful video for Twin Crystals song “Two Girls”. Look out for Dandi Wind’s hotly anticipated album, ‘Yolk of the Golden Egg‘ coming soon!

Direction: Dandilion Wind Opaine
Cinematography: Nathan Drillot
Editing: Nathan Drillot & Szam Findlay

Remember back in June when everyone in blog world was up in arms over a tune called “Black Chrome”, from the mysterious LA-based, Circuit Freq?? Have you figured them out yet? Chock-full of intensity, the original stood well on its own. As promised, they’ve been kind enough to deliver their latest remix of “Black Chrome” from England’s Charlie Fanclub and YES, it’s armed with the hard hitting power I thought it would.

If I were gearing up for war, Charlie Fanclub’s remix of “Black Chrome” is the tune I’d be listening to before crossing enemy lines, and a perfect play if ‘Call Of Duty‘ had a soundtrack. Charlie’s remix is a solid, pounding effort that takes the original track up a level and will certainly shatter the dancefloor!

Listen to the other remixes of Circuit Freq’s “Black Chrome” from Vandal, Electrixx, Metalzone, plus a bonus Charlie Fanclub version. You’ll find that they’re all superb, thus leaving you to make a purchase via Beatport!

Circuit Freq - Black Chrome (Charlie Fanclub Remix v2)

French artist extraordinaire Franck Rivoire, producing under the moniker Danger, has become notorious amongst many and recognized for his exceptional synth heavy production, that he describes as ‘French Touch new electro’. His music evokes complexity and a sense of darkness, stirring the emotions of his devotees, causing an insatiable desire for more. I’ve often envisioned Danger’s music playing in the background to an Osamu Tezuka anime, which seems quite fitting given his childhood influences.

Just five years back, Danger was a self-proclaimed chiptune geek, creating game music. His direction changed and his music has flourished since the days of past and in recent months, Danger has remixed tracks for Midnight Juggernauts, ‘Into the Galaxy‘ and Sébastien Tellier, ‘Divine‘. But it was his first few brilliant productions, ‘11h30‘, ‘14H54‘, ‘19H11‘, that paved the way for what was to come. Signed to the Parisian label Ekler’o’shock, Danger continues to push the limits of his craft, taking us into the future. As a long time favorite of mine, I wanted to know what is behind the mind of Danger, so a few months back, I exchanged a bit of Q&A with him. After a long delay and the responses properly translated, here you have his answers in French and English.

Lovestar: Who is Danger? Please give some background history

Danger: Je suis illustrateur et graphiste, je suis très imaginatif et j’aime raconter des histoires, et communiquer des sensations. J’ai passé une certaine partie de ma jeunesse devant des écrans d’ordinateur , des livres, et des consoles de jeux, je fais des bandes dessinées, j’adore le cinéma, l’art, les jeux vidéos et les synthétiseurs.

I’m an illustrator and graphic designer, I’m very imaginative and I love to tell stories, and convey sensations. I passed part of my youth in front of computer screens, in books, and game consoles. I do comic books, I love cinema, art, video games and synthesizers.

Lovestar: Tell us about the music that you are producing

Danger: J’imagine mes musiques comme des émotions simples. Mon avenir c’est de continuer à suivre simplement ce que j’ai envie de faire ressentir. Beaucoup d’entres nous parlent à “l’enfance” en faisant ce genre de musique, je m’en rends compte et j’ai d’autant plus envie de donner une vision de l’enfance qui est la plus fidèle à ce que je suis et à ce que j’ai été.

J’essaye de ne pas penser qu’à la musique quand je compose mais aussi à des images et à des sensations, d’ailleurs le fait que je sois graphiste et illustrateur m’aide à m’écarter du seul chemin musical, qui n’est pas le mien.

Je vais faire pas mal de lives dans un futur proche dans lequels j’utiliserai la vidéo et l’animation plus d’autres surprises mystèrieuses.

I picture my music like simple emotions. My path is to continue to follow that which I have the desire to experience again. A lot of other people talk to us about “childhood” in making this kind of music. I realize this and I really want to give a vision of a childhood that is the most faithful to that which I am and that which I have been.

I try not to think about just the music when I’m composing, but also the feelings and images. Otherwise, the fact that I’m a graphic artist and illustrator helps separate me from a single musical path that’s not mine.

I’m going to do a few live shows in the near future in which I will utilize video, animation, and other mysterious suprises.

Lovestar: Your tracks are all named with numbers and letters. Are these random or do they have meaning?

Danger: Disons que je pense qu’une heure est aussi évocatrice d’un sentiment qu’un titre littéraire. Je passe ma vie à faire attention à l’heure et je trouve sincèrement qu’un 20h45 ou un 14h porte déjà en lui tout un tas de sentiments, alors imaginez 14h54, c’est un truc de fou.

Let’s say that I think that an hour is just as evocative of a feeling as the title of a piece of literature. I go through life paying attention to the hour and I really find that no other time than an 8:45 PM or a 2 pm already brings a whole barrel of feelings… so imagine 2:54 PM, it’s something crazy.

Lovestar: Are you still working as a graphic designer and do you create your own artwork?

Danger: Yes still drawing :) It’s important for me to be sure to create what I want to communicate.

Lovestar: What went into creating your latest EP, 09.14.2007?

Danger: A first step for me…:)

Lovestar: Your music has a lot of expression to it, I could see it being played in a Japanimation movie or a Speed Racer scene – Do you know of Speed Racer? Have you ever thought of scoring your music in a film?

Danger: It would be great, that’s a long time dream.

Lovestar: What was it about the label Ekler’o’shock that made you want them to represent you?

Danger: I really liked the Ekler’o’shock artists.

Lovestar: A comment left by a fan on the Ekler’o’shock My Space said that “if Daft Punk and Justice had sex, their lovechild would be Danger”. What do you make of this?

Danger: Je pense qu’on a raison de comparer les artistes entre eux et de leur trouver des ressemblances mais généralement ces ressemblances viennent plus de références communes plus anciennes mes references viennent des jeux videos de ma vie, des films que j’ai vu et je pense pouvoir raconter d’autres choses que Justice et Daft Punk, des artistes que j’aime beaucoup pourtant.

I think that we’re right to compare artists between themselves and find their resemblances but generally these similarities come more from common references that are older. My references come from the video games of my life, the films that I’ve seen, and I think the ability to relate about things other than Justice and Daft Punk, artists that nevertheless I like a lot.

Sébastien Tellier - Divine (Danger Remix)
on Record Makers

Midnight Juggernauts - Into the Galaxy (Danger Remix)

We Are Scientists - Chick Lit (Danger TV Remix Edit)

Danger - 11h30

Danger - North America Tour Dates
Sept 11 2008 8PM / Abby Pub / CHICAGO, Illinois
Sept 12 2008 8PM / The Estate / BOSTON, Massachusetts
Sept 13 2008 8PM / The Social / TORONTO, Ontario
Sept 14 2008 8PM / LAX / LOS ANGELES, California
Sept 16 2008 8PM / Cinespace / LOS ANGELES, California
Sept 18 2008 8PM / Julliards / CALGARY, Alberta
Sept 19 2008 8PM / Mezzanine / SAN FRANCISCO, California
Sept 20 2008 8PM / Pasaje / MEXICO CITY, México

The greatest thing about starting this blog was not only to hear music that we encountered on our own, but also to be introduced to it from a wide range of sources, often times from the very artists that we feature. When Etan spoke of remixing an upcoming artist that I was unfamiliar with, I checked in on things. Good thing I did because my ears have been stunned by the lo-fi, leftfield pop sounds of East Londoner Micachu.

Classically trained since the age of four in violin and viola, 21 year old Mica Levi aka Micachu, creates imaginative, experimental pop music and mixtapes comprised of grime, garage, tropical, R&B, hip hop, folk – basically whatever she tosses in the pot. But it’s Mica’s obsession with inventing her own sounds from scratch, like the notable American composer and instrument maker Harry Partch she so greatly admires, that sets this wunderkind apart.

Currently in her third year studying music composition at the Guildhall School of Music and Drama in London, Mica was amongst four young composers to write new works for the London Philharmonic and in March, an original composition she wrote was performed at the Royal Festival Hall.

Micachu’s latest debut for Accidental, ‘Golden Phone‘, produced by the esteemed Mathew Herbert (released August 11th) is an addictive, whimsical, hand clapping good time. I’ve listened to it over and over and it still sounds refreshing and unique. As does Micachu’s must-have 33-track mixtape entitled ‘Filthy Friends‘ (out this past February), featuring the likes of Toddla T, Man Like Me, Ghost Poet, Kwes, Jack Penate, The Fields, Naked & the Boys, Suicidedogz, Golden Silvers and more, which had everybody talking.

Though I’ve yet to catch a live performance with her band, The Shapes (Mica - vocals, guitar, electronics and Hoover, Raisa Kahn - keys and Marc Pell - drums), they’ve been making huge waves abroad. Since Micachu is on The Windish Agency artist roster, I hope it isn’t long before we see Micachu and The Shapes heading for our shores!

‘Golden Phone‘, can be purchased via itunes, Rough Trade, Boomkat and all good digital platforms. Check out Micachu’s other project, Society of New Music and catch Micachu and The Shapes at Bestival – 5, 6, 7 September and at gigs listed on their Myspace calendar. And look out for an album coming sometime this fall!

Micachu - Golden Phone

Micachu - Curly Teeth

Micachu - Filthy Friends - The Mixtape

I was never into Baltimore Club. I am sick of hearing shitty remixes of stupid songs and I feel that once you hear one song you have heard them all. I never really understood it. However……these dudes somehow manage to get around the parts of it that I dislike. And I can listen to them all night without getting bored. Brick. Bandits. Kill. It. I have seen these guys go at it several times and I have never been disappointed. They are a serious party. All of them. Also for the record they do not just play baltimore club. I have heard Tameil kill it on the house music tip. So good.

Thursday 8/21 it’s SO on. I know this is last minute but the Brick Bandits have decided to pay Brooklyn a visit. I don’t know if you have happened to catch any of these DJs yet but you have no excuse. They have been all over the place lately and if you have missed them you need to switch your party schedule up a little. Time for some action. I am SO excited about this.

For you New York people, Galapagos is no more. They are under new ownership and the venue is called Public Assembly. They have exchanged their old sound system for some serious BOOM and Thursday is definitely the night to test it out.

I am 100% confident that DJ Tim Dolla, DJ Tameil and DJ Sega are going to rock a serious dance party so let’s do this. I will be there Djing as well. Most likely tag teaming with my favorite Philly kid Nick the V. Here is a little preview of what the night is going to be like. Get Wild.

Also the first time I heard the Digital Cable song I lost it. Brooklyn you know what I am talkin’ about!

Tameil feat. Tim Dolla - Stayin Alive

Tim Dolla - Digital Cable

Dj Tameil - Gypsy Theme

Dj Sega - Where’s Your Head At

Tonight markes an unbelievable 2nd night for New York City’s new 2-step/Garage night “F!T,” comes Todd “The God” Edwards to the NY-stage. Brought to us by Unit.One Productions and XLR8R Magazine Located at The Knitting Factory in TriBeCa, F!T is the brainchild of Thanyen Nguyen or “Tiny,” a member of the Unit.One crew in Dallas where he got his start. Headlining the first show was Unit.One’s own Jason Mundo, a heavyweight on the Garage scene both here and abroad. Unit.One, as a production team in Dallas, throws one of the State’s most infamous parties Dub Assembly, gathering many of the UK’s most prolific DJ’s and producers in the Grime, Dubstep, and 2-step scene. Jason Mundo and FIT’s own IanJamz will be headed to the UK in September for the Bassline/Garage Music Festival with UK notables Jamie Duggan and DJ Q.

With tonight as the 2nd installment of the FIT party, it’s quite extraordinary that Speed Garage legend Todd Edwards is gracing the stage. While there isn’t enough page space here to give all the credit where credit is due, Todd is a the Godfather. For a truly educating experience (as always) head over to Dutty Artz, where Todd received a lengthy special feature from Matt Shadetek.

Particularly gifted in the field of vocal edits and vocal production (see St. Germain vocal edit below), Todd’s production ranges greatly from his original Garage creations to more strict House flavors. Todd is often considered a major influence on Daft Punk’s use of vocals in their tracks, and has contributed numerous remixes to the French-House family. Reading his catalog, one begins to realize the efficacy that this man has created for himself. Modest and quietly producing works of brilliance, he stays in his sleepy New Jersey town, rarely to come out and make an overt splash.

So it should go with out saying that for Todd Edwards fanatics, and there are many, this is an incredibly special performance from a crew of extremely passionate individuals. The lineup tonight also includes NYC’s Rowdy host Black Plague on the 1’s and 2’s, IanJamz, and Keith P here from Dallas to represent the Unit.One crew in fine style. New Yorkers sick for that classic New York House, will be remiss to default to an overcrowded bar, where Todd Edwards has mostly likely either just been played over the speakers or is playing across the street at The Knitting Factory.

St. Germain - Alabama Blues (Todd Edwards Vocal Edit)

Surkin - Next Of Kin (Todd Edwards Re-Kindled Mix)

Justice - DVNO (Todd Edwards Mix)

Late of the Pier – Fantasy Black Channel

‘Fantasy Black Channel‘ is what you get when the minds of Late of The Pier and the midas touch of Erol Alkan collide in perfect harmony. The highly anticipated debut album released 11th August on Parlophone, explodes through a vast musical landscape with the kind of imagination that goes balls out! Watch the video for their single “Heartbeat“, released a week prior to the LP, purchase your copy of ‘Fantasy Black Channel‘ and prepare for this masterpiece to work its magic!!

Rico Tubbs is a name that’s been floating around many of the blogs in 2008. Tracks of his have been popping up here and there and they have been met with great accolades from some of the biggest tastemakers spanning numerous genres and subcultures. Now, a brand new album, Knuckle Sandwich, packed with Grade A bangers, has just been unleashed to further his dance music domination. It seems, though, most people haven’t a clue who Rico Tubbs actually is.

He is by no means a n00b to the scene. He’s been DJing and producing in his native Finland since ‘94 starting in UK Hardcore and Hiphop and leading into Big Beat, Breakbeat and whatever else you can call his music now. In his home country, he is an electronic music legend producing under his real name Riku Pentti and comprising one half of The Skillsters, credited with producing the first Finnish Hiphop album in history. From there, thanks to his avant garde scratching abilities, Rico joined the venerable big beat troupe, The Bombfunk MC’s as their DJ/Producer/whatever else.

Once big beat faded, Riku reinvented himself again, always retaining that funky hardcore/hiphop vibe, and reemerged in the peaking breakbeat scene as Rico Tubbs and the pseudonym Infekto. Releasing records on KissFM DJ Jay Cunning and Atomic Hooligan’s label Menu Music, he immediately became known for making some of the best peaktimers of the heyday of new school funky breaks. Gradually, his unique breaky sound began to infiltrate the blogs and that brings us to the present.

What sets Rico’s sound apart from everyone else is that he clearly embraces every type of music that he’s ever liked and uses it indiscriminately throughout his tunes. It’s not fidget, its not breakbeat, its not hardcore, its not b-more, but it’s an amalgamation of all of those and more used in an unapologetic, bold manner. Rico’s new album exemplifies that fact and was purposefully filled to the brim with club bangers.

To celebrate said album, available now on Juno, iTunes or wherever else you might find proper music, here’s a taste of what Rico’s been putting forth; a VIP mix of his squelchy bass banger, Hot Girls Dope Boys, done especially for TM. And just to further solidify his authenticity and prove that he’s been doing this since many of you were just a glimmer in your fathers eye, here’s an oldschool hardcore mix that he provided us, containing some of the real classics. So sit back, have a listen, read this short interview and then buy the album. It’s sooooooo good!

Rico Tubbs - Hot Girls Dope Boys (VIP)

Rico Tubbs - HardcoreJungleTeknoRave 91-93

1. Altern-8 : Evaporate (1992,Network)
2. Djs Unite : Djs Unite (1992 ,XL)
3. Shut up and Dance : The green man (1992,shut up and dance)
4. A Home boy, A hippie & Funky dread : Now is the future (1992,Rising high )
5. Two Undercover : Unite (1992,De ja vu)
6. Kaotic Kemistry : Space Cakes ( 1993,Moving Shadow)
7. Q Bass : Hardcore Will Never Die /E type version (1991,Suburban Base)
8. Sonz of a loop da loop era : Far Out (1991,Suburban Base)
9. The Prodigy : Full Throttle (XL,1993)
10. Dance Conspiracy : Dub War Chapter 1(XL,1992)
11. Run tings : Fires Burning (Suburban Base 1992)
12. Krome & Time: This Sound is for the Underground (Suburban Base 1992)
13. Acen : Trip 2 the moon part 2 (Production house 1992)
14. Manix : Alright Wid Me (1993,Reinforced)
15. Manix : Hardcore Junglism (1992,Reinforced)
16.Underground Software : Different ting (1992,Reinforced)
17. Cloud 9 : You got Me Burning (1993,Moving Shadow)
18. Soundclash vs Hackney Hardcore : Hear Gunshots (1993,Strictly Underground)
19. Foul Play : Finest illusion (1993,Moving Shadow)
20. Ltj Bukem& Tayla : Bang the drums (1992,Good looking )

Local Hero: Lets kick it off with an easy one. What are you listening to right now?

Rico Tubbs: Italo disco,”Dance Mania” Chicago house stuff , some 60’s psych rock and Bengas album have been on heavy rotation.

LH: You’ve been producing and releasing records since 1995 in your native Finland. Tell us about some of the early Rico Tubbs projects.

RT: When I got my first releases out it was the time of big beat - sample heavy fun party music. Not much different of what I do now - the hip hop samples and rave elements can be heard through all my production from day one.

LH: Not many producers from the breaks scene have been able to crossover to the electro/blog house scene as successfully as you have. Was this crossover success intended? If so what did you put into the music to garner the crossover appeal?

RT: The crossover was not calculated in any way. My production style is based more on chaos than clear vision and I think Ive done tunes in most genres of electronic music. As a producer/dj you should anyway be intrested in new things and it always amazes me how many purists there are who are stuck into their little box.
Now I feel that electronic music is in its most exciting phase in many years.The trend now overlaps the most with what I love in dance music : big and quirky basslines,hip hop or rather hip house and rave.

LH: Seems like you’ve kept quite busy djing so far this year. Whats been the awesomest party you’ve played this year?

RT: I have to say Glade.That was the first festival of that magnitude Ive played. Everything was well organized and the atmosphere was great.

LH: What was the musical aim of your new album? What were you trying to accomplish with it?

RT: My aim was to get a coherent album full of club bangers. I tried to make it so tight that you’d want to get the whole thing - not just pick and choose just 1 or 2 tracks as often is the case among dance albums.

LH: You’ve always maintained an aggressive funky sound but without being cheesy. How and from what influences did you derive the Rico Tubbs style?

RT: When Rico Tubbs was born the sound was influenced by stripped down funk of JB’s and sillyness of Parliament - with some heavy fart bass. Its gone a long way from that during past 5 years but the heavy bass groove is still the core. Now you can hear more of the influence of my hardcore favourites : Altern-8, Manix and early Moving Shadow/Suburban Base. There also some speed garage/bassline there of which I’ve always been a fan of.

LH: Now that the albums done and released, what comes next?

RT: Theres been a lot of remix work of which the latest is for Tittsworth 12 Steps album. Theres also an EP coming on Herve’s label later this year and a track on Finnish b-more club label Top Billin’. There might be a remix album of “Knuckle Sandwich” as well if everything goes by the plan - first out will be Tes La Rok and Muffler remixes of “Gangsters”.